Dave Mustaine, the leader of Megadeth, was recently interviewed by Chile's Teletrece. He was asked about the inspiration for his lyrics for the song 'Holy Wars... The Punishment Due' and how they relate to the ongoing U.S.-Israel war with Iran. He responded: 'I'm a songwriter, a...'. Mustaine also shared his thoughts on celebrities and their influence on people's voting decisions. He stated: 'I don't think people should listen to celebrities about how they should vote.' This statement reflects his belief in individual decision-making and the importance of not being swayed by celebrity opinions. The interview with Teletrece provided insight into Mustaine's thoughts on various topics, including his songwriting process and his views on current events. As the leader of Megadeth, Mustaine has always been known for his straightforward and honest approach to his music and his opinions. The song 'Holy Wars... The Punishment Due' is part of Megadeth's album 'Rust in Peace', which was released on September 24, 1990. The album is considered one of the band's best works and features other notable tracks like 'Hangar 18' and 'Lucretia'. Mustaine's comments on celebrities and voting are particularly relevant in today's society, where celebrity influence can be significant. His statement serves as a reminder of the importance of individual research and decision-making when it comes to voting and other important life choices. As a renowned musician and songwriter, Dave Mustaine's opinions and insights are highly valued by his fans and the music community. His interview with Teletrece is a testament to his continued relevance and influence in the music world.

German/American metal legends ACCEPT were joined by special guests John Norum (EUROPE), Fredrik Åkesson (OPETH) and Ola Englund (THE HAUNTED) during their headlining concert Wednesday night (May 6) at Cirkus in Stockholm, Sweden. Filling in on drums for the gig was former MEGADETH drummer Shawn Drover. The concert, which took place on May 6, 2024, at Cirkus in Stockholm, Sweden, was a unique opportunity for fans to see ACCEPT perform with a variety of talented musicians. John Norum, known for his work with EUROPE, brought his signature guitar sound to the stage, while Fredrik Åkesson, a member of OPETH, added his own brand of progressive metal to the mix. Ola Englund, a guitarist for THE HAUNTED, also made a special appearance, showcasing his skills alongside the rest of the band. The addition of Shawn Drover on drums was a notable aspect of the performance, as he brought his experience and expertise to the table. As a former member of MEGADETH, Drover has had the opportunity to work with some of the biggest names in metal, and his presence behind the kit was a welcome addition to the ACCEPT lineup. For fans of ACCEPT and metal music in general, this concert was a must-see event. With a diverse range of special guests and a talented drummer filling in for the gig, the show was a unique and unforgettable experience. The combination of ACCEPT's signature sound and the added talents of their guests made for a truly special night of music. As the metal community continues to evolve and grow, it's events like these that remind us of the power and camaraderie that exists within the genre. The willingness of musicians to come together and create something special is a testament to the enduring spirit of metal, and it's experiences like this that will continue to inspire and motivate fans for years to come.

Phantom Slaughter, the mastermind behind Worm, has always been drawn to the darker side of life. His music, a blend of black metal and doom, is a reflection of his fascination with vampires and the concept of eternal isolation. In a recent interview, Slaughter discussed the inspiration behind his latest album, Necropalace, and the journey that has brought him to where he is today. Slaughter's musical journey began at a young age, watching his guitarist father play ZZ Top riffs at home. He later discovered Ozzy Osbourne's "Crazy Train" at a laser-tag arena, which blew his mind and set him on a path of exploring extreme music. In his late teens, he discovered the documentary Until the Light Takes Us, which explored the violent early '90s Norwegian black-metal scene. This led him to delve deeper into the world of black metal, scouring blogs for obscure demos and interviews with cult figures like Emperor's Ihsahn and Darkthrone's Fenriz. As he dug deeper, Slaughter realized that many black-metal projects were being put together by solitary artists. This DIY spirit intrigued him, and he decided to follow a similar path. He christened himself Phantom Slaughter and forged ahead with Worm on his own. "I shut everything out around me," he recalls of Worm's genesis. "I had friends at that time, but they would slowly start to wither. I was 19 or 20, and everyone started going to bars. It was more important to me to stay in and work on the Worm demo. Every time I went out, I was like, 'This is a waste of time. I'd rather just be making music in my room.'" Slaughter's musical journey has not been without its challenges. He taught himself to play guitar and synthesizer, and even bought a drum set to blast through Worm's first demo, The Deep Dark Earth Underlies All. "I was terrible at it," he admits of his primitive percussive skills. "But with the black-metal ideology, you can do anything. There's no roadblocks. Ignorance is bliss!" As Worm's reputation spread, Slaughter began bringing in other players to help tighten up the project's sound. Drummer Equimanthorn joined for 2017's Evocation of the Black Marsh, while guitarist Nihilistic Manifesto added solos to Foreverglade, Worm's first release through 20 Buck Spin. The latest album, Necropalace, marks a new chapter in Worm's history. The album features a guest appearance by Marty Friedman, the ex-Megadeth shredder, on the epic 14-minute finale "Witchmoon: The Infernal Masquerade." Slaughter notes that Megadeth's Rust in Peace was stuck in the CD player of his first car, and he took a chance and asked Friedman to contribute to the album. Friedman came through and delivered a flurry of extra melodies across the track. "I get to sing over a Marty Friedman lick," he says with wonder. "It's the coolest thing in the world." Necropalace is a testament to Slaughter's growth as a musician and a person. The album's crunching, lovelorn sound is a reflection of his fascination with vampires and the concept of eternal isolation. As Worm continues to expand, with new bandmates, high-profile guests, and tours to come in 2026, Slaughter's life looks less lonely than it once did. "Through this, I've found genuinely good people that actually care about me — and not just in a musical sense," he says, adding that his goal now is to "keep this band alive as long as I possibly can."

The Sonic Temple festival is set to take place in Columbus, Ohio, from May 14th to 17th, featuring a massive lineup of 140 acts across multiple stages. The festival will include performances by notable bands such as My Chemical Romance, Bring Me the Horizon, TOOL, and Shinedown, as well as veteran heavy hitters like Lamb of God, Black Veil Brides, Megadeth, and Dethklok. In addition to the well-known headliners, the festival will also showcase rising stars in the fantasy-doom, metalcore, and other genres. One of the notable rising artists is Allt, a Swedish progressive metalcore act that will perform on the Citadel stage with key tracks from their breakthrough release, From the New World. The band has also been teasing new music on Instagram and has been test-driving a new tune called "Snowblind" onstage during their recent North American tour. Another notable act is Castle Rat, a New York City-based band that combines horns-raising stoner gloom, chainmail-jingling stagewear, and elaborate fantasy-based theatrics. The band's concerts are described as a way to portal themselves and the crowd into "The Realm," a unifying utopia of collective, fantastical connectedness. Castle Rat will perform at the festival after recently touring with Dethklok and Amon Amarth. Other rising artists to watch out for include Not Enough Space, a Florida-based band known for their vicious vocal tandem and melodic chops, as well as The Pretty Wild, a Vegas sister act that has explored a self-described "y'allternative" sound before leaning into the heaviest tendencies of their debut LP Zero.Point.Genesis. Thornhill, an Australian band, has also become one of the bands to keep an eye on in the heavy scene, with their recent album Bodies still gaining popularity. The festival will take place at the Historic Crew Stadium in Columbus, Ohio, and will feature multiple stages with a wide range of acts. Fans of heavy music will not want to miss this opportunity to see both established and rising artists perform live.

Dave Mustaine, el vocalista y guitarrista de Megadeth, ha afirmado que la rivalidad entre su banda y Metallica terminó hace años. Mustaine expresó: "Love me or hate me, they'll never be able to erase me." Esta declaración sugiere que Mustaine ha superado cualquier resentimiento hacia su antigua banda y su rivalidad en el escenario del heavy metal. La rivalidad entre Megadeth y Metallica se remonta a la década de 1980, cuando Mustaine fue miembro de Metallica. Después de ser expulsado de la banda en 1983, Mustaine formó Megadeth y comenzó a competir con Metallica en términos de popularidad y éxito. A lo largo de los años, ambos bandas han tenido un éxito significativo y han sido reconocidas como algunas de las bandas de heavy metal más influyentes de todos los tiempos. La declaración de Mustaine sobre el fin de la rivalidad entre Megadeth y Metallica ha generado interés y debate entre los fanáticos del heavy metal. Algunos creen que la rivalidad entre las dos bandas fue exagerada por los medios y los fanáticos, mientras que otros argumentan que la competencia entre las dos bandas fue beneficiosa para el género en general. En cualquier caso, la declaración de Mustaine sugiere que ha superado cualquier resentimiento hacia Metallica y se enfoca en su propia carrera y legado con Megadeth. Con una carrera que abarca más de cuatro décadas, Mustaine ha establecido a Megadeth como una de las bandas de heavy metal más exitosas y duraderas de todos los tiempos. La rivalidad entre Megadeth y Metallica puede haber terminado, pero el legado de ambas bandas seguirá viviendo en la historia del heavy metal. Ambas bandas han dejado una marca indeleble en el género y han inspirado a generaciones de músicos y fanáticos.